Street Theory Gallery & Collective, in Collaboration with Tanya Weddemire Gallery, Presents

Everything and More

A Ladies First Group Exhibition Featuring Women Artists Working Across Painting and Mixed Media

(Cambridge, MA, February 12th-April 11th, 2026)

Street Theory Gallery & Collective, in collaboration with Tanya Weddemire Gallery, is pleased to present Everything and More, a Ladies First group exhibition featuring women artists whose practices are shaped by ancestral memory and propelled by radical imagination.

Through painting and mixed-media works, Everything and More explores how inherited histories, embodied knowledge, and speculative futures intersect within contemporary women’s practices. The exhibition approaches ancestry not as a fixed inheritance, but as a living, generative force—one that fuels world-building, resistance, care, and expansive notions of abundance beyond imposed limits.

The exhibition features work by:

Brittany S. Price, Brooke Fierce Bronner, Candice Tavares, Chandra Mendez Ortiz, Danielle Hardy,

Danielle Scott, Destiny Palmer, Ekua Holmes, Ijania Cortez, Rixy Fernandez, and Silvia Lopez Chavez.

The opening reception will be accompanied by sounds from DJ Guru Sanal, creating an immersive atmosphere that complements the exhibition’s themes of lineage, futurity, and collective presence.

Opening Reception

Everything and More: A Ladies First Contemporary Art Exhibition

🗓 Thursday, February 12 | 6:00–9:00 PM

📍 541 Massachusetts Avenue, Cambridge, MA

🎶 Music by DJ Guru Sanal

🔗 RSVP: everythingandmore.eventbrite.com

Light refreshments and drinks will be served.

This event is free and open to the public, though space is limited. RSVP is required and does not guarantee entry.

This exhibition is generously sponsored by The New Commonwealth Fund.

Liberty on the Run, 2024

Mixed media collage and acrylic on canvas, 48 x 72 inches

On view February 12th - April 11th, 2026

Liberty on the Run captures democracy at a crossroads—urgent, fragile, and perpetually in motion. Created during the charged months before the 2024 presidential election, this mixed media work reimagines Lady Liberty through the fierce, uncompromising lens of Grace Jones: a figure who refuses to be still, who commands the microphone as readily as she once held the torch.

Here, Liberty careens forward on a skateboard, bruised but unbowed, her momentum both exhilarating and precarious. She moves through a landscape of contradiction—billowing clouds backlit with hopeful light spell out “dream” across the sky, while darker storm systems gather at the edges. Stacked television monitors pulse with archival footage from the Civil Rights Movement, their grainy protests and marches creating a visual echo chamber that collapses past and present into a single urgent now.

The work insists that democracy is not a static inheritance but an active verb. A ballot box appears not as civic decoration but as portal and challenge—a reminder that the freedoms won through generations of struggle require constant renewal. I channel the sacrifices of those who marched, organized, and bled for the franchise, transforming historical memory into contemporary imperative.

Liberty on the Run refuses nostalgia. Instead, it offers a kinetic vision of citizenship as perpetual engagement, where nature and technology, hope and warning, strength and vulnerability coexist in dynamic tension. The work asks: Will you stand still while liberty moves past you, or will you join her in motion?​​​​​​​​​​​​​​​​